Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

29 March 2026

The Heart is a Lonely Hunter

 

CARSON MCCULLERS

How acquired: From another BookCrossing member.

First line: In the town there were two mutes, and they were always together.

(Goodreads synopsis below.)

My thoughts: They say "write what you know", and from what I've read about Carson McCullers, she based this book on her own life and experiences. You may wonder how much life she had experienced at the tender age of twenty-three, but then that may be the best time to write a work filled with hardship and suffering, mixed in with hope, amid some gothic overtones. Isn't that the time in our lives when we are filled with angst? I reread some of the poetry and stories I wrote at that time in my life and laugh at how melodramatic they are. But McCullers had real writing skill and I never laughed at her writing. I absorbed it and at times marveled at it. I love a good character study and this was several rolled into one novel. Is it depressing? Yes. Does it end happily? That may be subjective, depending on your own point of view and how the characters, or which character or characters, connect with you. Or for my short answer, not necessarily. But it is beautifully written, and a great introduction to this author.

Synopsis from Goodreads:

Carson McCullers’ prodigious first novel was published to instant acclaim when she was just twenty-three. Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways they could never imagine.

07 May 2025

Typewriter Beach

 

MEG WAITE CLAYTON

Stats: Trade paperback, Harper, expected publication 7/1/25.

How acquired: Won in a Goodreads giveaway.

(Goodreads synopsis below.)

My thoughts: When I first started reading, I was immediately captivated by the writing. I love Old Hollywood, old movies, the stars. With the young Isabella being an aspiring actress, and Leo being a blacklisted screenwriter, there was a lot of name dropping. And to my surprise, it bothered me a little at first. When the author would mention someone real, Garbo, Hitchcock, Bergman, and give an anecdote that I’d not ever heard before, I would wonder if it was true, or was the author taking poetic license. From what I could gather, the author did a lot of research, especially about Hitchcock and blacklisting, but even so, how much was true and how much was for the sake of this story? But once I got really settled into the dual stories – Iz and Leo in 1957, Iz and Leo’s granddaughter, Gemma, plus neighbor Sam, in 2018 - I was totally riveted and along for the ride, no longer caring how much was true and how much was not.

Wonderful, realistic characters. Vivid descriptions of Carmel.

Achingly beautiful.

Synopsis from Goodreads:

1957. Isabella Giori is ten months into a standard 7-year studio contract when she auditions with Hitchcock. Just weeks later, she is sequestered by the studio’s “fixer” in a charming little Carmel-by-the-Sea cottage for a secret rendezvous. There, she is awoken by the clack and ding of a typewriter at the cottage next door. 

Léon Chazan is annoyed as hell when Iz interrupts his work on yet another screenplay he won’t be able to sell, because he’s been blacklisted. But soon he’s speeding down the fog-shrouded Carmel-San Simeon highway, headed for the isolated cliffs of Big Sur, with her in the passenger seat. 

2018. Twenty-six-year-old screenwriter Gemma Chazan, in Carmel to sell her grandfather’s cottage, finds a hidden safe with a World War II-era French passport, an old camera with film still in it, two movie scripts, and a writing Oscar that is not in her grandfather’s name—raising questions about who the screenwriter known simply as Chazan really was.

02 October 2022

Next Year in Havana (The Perez Family, Book One)

 

CHANEL CLEETON

Stats for my copy: Trade paperback, Berkley, 2018.

How acquired: Through BookCrossing.com.

(Goodreads synopsis below.)

My thoughts: I loved this book so much. So much! More than I anticipated. The characters are so well written, and the descriptions of Cuba are evocative. The author really makes Cuba come alive, like a separate character of the book. The narrative moves back and forth between Elisa’s story in in 1958, in the midst of the revolution just before Fidel Castro takes over the presidency, and her granddaughter Marisol’s story in 2017, as she travels from her home in Florida to Cuba to find a place to spread her grandmother’s ashes. The only negative thing I can think of is that Elisa and Marisol aren’t particularly indistinguishable from each other; the author’s voice doesn’t really change and at times I would momentarily have to remind myself whose story/which time period I was in. But the writing is so wonderful that it’s a fairly minor complaint.

I know who Castro was, of course, but I didn’t really know much about him. In 1959, Elisa falls for a revolutionary, Pablo, who is a friend of Castro, and staunchly supports him in his bid to overthrow the president, Fulgencio Batista. I was a little confused because everything I did know about Castro was that he was bad, so I didn’t quite understand why Pablo was so supportive of him in the beginning. And I knew absolutely nothing about Batista. I found it all so fascinating that on my next trip to Barnes & Noble I searched for books on the revolution. There were only three books under Cuba, none focused on Batista and/or Castro. One about Che Guevera, and I’ve already forgotten what the second book was about. I chose Cuba: An American History, by Ada Ferrer, which looked to be the closest to what I wanted.

But I digress. There are books that are good, that are novels. And then there are books that wonderful, that are literature. NEXT YEAR IN HAVANA is literature, and I’m very eager to find the rest of the author’s books, especially WHEN WE LEFT CUBA, about Elisa’s sister.

Goodreads Synopsis: After the death of her beloved grandmother, a Cuban-American woman travels to Havana, where she discovers the roots of her identity--and unearths a family secret hidden since the revolution...

Havana, 1958. The daughter of a sugar baron, nineteen-year-old Elisa Perez is part of Cuba's high society, where she is largely sheltered from the country's growing political unrest--until she embarks on a clandestine affair with a passionate revolutionary...

Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee with her family during the revolution. Elisa's last wish was for Marisol to scatter her ashes in the country of her birth.

Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba's tropical, timeless beauty and its perilous political climate. When more family history comes to light and Marisol finds herself attracted to a man with secrets of his own, she'll need the lessons of her grandmother's past to help her understand the true meaning of courage.


17 November 2020

Beyond the Higher Ground


THOMAS A. BRIGGER

Stats for my copy: Trade paperback, Page Publishing, Inc., 2019.

How acquired: Cozy Mystery Review Crew

First line: She’s gone, Tuck.

(For Goodreads synopsis, scroll down.)

My thoughts: When we meet Mason, he’s on his way to Bright’s Mountain, where he will be in charge of overseeing the construction of a new prison. He’s still mourning the death of his wife, and while other members of the construction crew are renting apartments or duplexes in a nearby town, Mason chooses to rent a house that, while closer to the building site, is in a remote area of Appalachia, with few neighbors.

The book is a bit meandering, with plenty of stuff happening but at the same time not a lot of action. It’s wordy. It’s not a light read, but rather requires some concentration. The writing is a little grandiose, and yet eloquent and captivating. The fact that I did not have to set the book down to look up a word, not once, made me a bit proud of myself. The narration occasionally switches to the past, giving us glimpses of Mason’s previous life when he and his wife were happy together. The narration is very descriptive, and certainly relays the desolation and hardship of life in the Appalachian mountains, with some colorful characters.

Mason makes friends among his co-workers and, almost in spite of himself, among the locals. But not everyone is friendly, and it quickly becomes evident that somebody wants him to leave. Eventually Mason finds himself embroiled in an investigation into the possibility of drugs being run through the construction site. As the danger escalates, he is determined to not be run out of town, and becomes a self-appointed protector of one of the locals, a single mother. I loved the relationship that developed between them, and between Mason and her young daughter.

Towards the end of the book, there is a real action scene, but it almost felt out of place. The author’s writing style just doesn’t seem to lend itself to pure action, and despite what was happening on the page there wasn’t a feeling of danger or suspense. But the rest of the book more than made up for that, and I was sorry to reach the last page and have to leave Mason behind.

Goodreads synopsis: Tasked with an assignment to manage the construction of a prison on a remote Appalachian mountaintop, Tucker Mason sees an opportunity to restart his life past the death of his wife and the recurring demons of his childhood. But strange occurrences at the house that he rented on Bright’s Mountain and the suspicion of drugs being smuggled through the prison construction site create distractions that lead to violence, intrigue, and his own imperilment. Struggling under the weight of loss and guilt, he encounters a world that he never knew existed in the shadow of the emerging prison. With a unique perspective on the human condition, Beyond the Higher Ground takes its reader through a historical glimpse of Southwestern Virginia to a powerful exposition of the drug crisis that has devastated the region and the abject brutality of those who deliver it.

18 March 2019

Into the Jungle


Stats for my copy: egalley, Simon & Schuster, 2019.

How acquired: Received from the publisher via NetGalley for review.

My thoughts: I loved THE RIVER AT NIGHT, by this same author, so much that when I saw this on NetGalley I immediately requested it without even bothering to read the synopsis.

This book could be subtitled Everything You Never Thought You Wanted to Know About the Amazon Jungle. Talk about harsh living. I can't imagine I would last even a week in the conditions that Lily and Omar lived in.

Omar is a native Amazonian. Lily is an American who has recently aged out of the foster care system and is living in Bolivia, working in a hostel for room and board with two other young girls. She has a meet cute with Omar one night and falls in love. When tragedy strikes the small village of Ayachero, where Omar is from, Lily travels home with him. She's not particularly welcomed by most of the villagers. Omar's mother in particular does not care for her at all.

From there we get an eye-opening look at daily life in the jungle, where a majority of a person's time is spent just surviving. The descriptions of the jungle and the myriad plants and creatures found there are evocative. Lily is an incredibly strong protagonist. Growing up in the foster care system hardened her, but Omar gets past all her defenses and sweeps her into a quick moving romance. You know it had to be true love if she's happy making a home in a remote village where the heat can be oppressive and the work is never ending. 

I very much liked both Lily and Omar. Told in first person POV, we get to know Lily very well. It's a great character study, with plenty of action thrown in. The secondary characters, seen through Lily's eyes, are also well written, from villagers to missionaries to evil poachers to an amusing river pilot named For God's Sake. They are all quite vivid.

And then along with all the hardships to overcome there's heart breaking tragedy. I can't imagine wanting to ever visit the Amazon, but I am quite interested in reading more about life there. I look forward to whatever Ms. Ferencik comes up with next!


Goodreads synopsis: Lily Bushwold thought she’d found the antidote to endless foster care and group homes: a teaching job in Cochabamba, Bolivia. As soon as she could steal enough cash for the plane, she was on it.

When the gig falls through and Lily stays in Bolivia, she finds bonding with other broke, rudderless girls at the local hostel isn’t the life she wants either. Tired of hustling and already world-weary, crazy love finds her in the form she least expected: Omar, a savvy, handsome local man who’d abandoned his life as a hunter in Ayachero—a remote jungle village—to try his hand at city life.

When Omar learns that a jaguar has killed his four-year-old nephew in Ayachero, he gives Lily a choice: Stay alone in the unforgiving city, or travel to the last in a string of ever-more-isolated river towns in the jungles of Bolivia. Thirty-foot anaconda? Puppy-sized spiders? Vengeful shamans with unspeakable powers? Love-struck Lily is oblivious. She follows Omar to this ruthless new world of lawless poachers, bullheaded missionaries, and desperate indigenous tribes driven to the brink of extinction. To survive, Lily must navigate the jungle--its wonders as well as its terrors—using only her wits and resilience.

07 October 2018

Laurentian Divide (Northern Trilogy, Book 2)


Goodreads synopsis: Bitter winters are nothing new in Hatchet Inlet, hard up against the ridge of the Laurentian Divide, but the advent of spring can’t thaw the community’s collective grief, lingering since a senseless tragedy the previous fall. What is different this year is what’s missing: Rauri Paar, the last private landowner in the Reserve, whose annual emergence from his remote iced-in islands marks the beginning of spring and the promise of a kinder season.

The town’s residents gather at the local diner and, amid talk of spring weather, the latest gossip, roadkill, and the daily special, take bets on when Rauri will appear—or imagine what happened to him during the long and brutal winter. Retired union miner and widower Alpo Lahti is about to wed the diner’s charming and lively waitress, Sissy Pavola, but, with Rauri still unaccounted for, celebration seems premature. Alpo’s son Pete struggles to find his straight and narrow, then struggles to stay on it, and even Sissy might be having second thoughts.

Weaving in and out of each other’s reach, trying hard to do their best (all the while wondering what that might be), the residents of this remote town in all their sweetness and sorrow remind us once more of the inescapable lurches of the heart and unexpected turns of our human comedy.

Stats for my copy: Hardback, University of Minnesota Press, 2018.

How acquired: Won from BookishFirst

My thoughts: When I entered the raffle for this book I didn't realize it was the second in a trilogy, but it definitely reads as a standalone and I didn't feel I'd missed anything by not reading the first book first.

I thought the book was going to more about Rauri Paar being missing and the townsfolk trying to find him or find out what happened to him. But the focus is actually on three other characters: Alpo, a widower about to marry a woman twenty years younger than him; Sissy, his bride to be; and his son, Pete, a divorced alcoholic in recovery. Rauri is mentioned pretty often, as the locals speculate about him, and Pete even borrows his dad's boat to make the treacherous journey to Rauri's island to look for him.

But this isn't Rauri's story. This is a wonderful character study of Alpo, Sissy, and Pete. The author completely immerses us into each of their lives. The writing is very evocative, especially the descriptions of the weather and geography. When Pete makes that journey to Rauri's island, I was completely mesmerized. I didn't want the book to end.


Some fiction books are novels, and some are literature, and in my mind the two terms are not always interchangeable. LAURENTIAN DIVIDE is what I consider literature. 

08 April 2018

The Poison Tree


Back cover copy: In the sweltering summer of 1997, strait-laced, straight-A student Karen met Biba – a bohemian and impossibly glamorous aspiring actress. She was quickly drawn into Biba's world, a for a while life was one long summer of love. But every summer must end. By the end of theirs, two people were dead – and now Karen's past has come back to haunt her...

Stats for my copy: Trade paperback, Hodder & Stoughton, 2011.

How acquired: Via BookCrossing.

First line: I let the telephone fall from my hand.

My thoughts: And another fantastic new to me author! Claire Seeber, Peter Swanson, and now Erin Kelly. I've already hunted down and collected most of Seeber's and Swanson's back list (plus preordered Swanson's newest), and now my Discover card will get another workout as I hunt down everything Ms. Kelly has written. For a long time my go to has been romance, but these three authors are sending me on a new and wonderful path!

Told in first person POV by Karen, the narrative bounces back and forth between the present and the past. In the past, Karen meets Biba and is mesmerized by her, and by her Bohemian drug-fueled life's-a-party lifestyle. Not so much by Rex, though in the present we know that she and Rex are a couple and have a daughter. We also know that Rex was just released from prison for murder, but we don't know who died or when.

I love Ms. Kelly's writing, it's as mesmerizing as Biba is to Karen. As Karen tells us her story, she drops tantalizing little hints or alludes to something that happens later, and I was constantly on the edge of my seat waiting for the big reveal, and grasping at each secret that finally came to light. Guessing who would die, and then second guessing myself. With good reason, as I was completely wrong.


A five star read for me, and I'm upset that none of the platforms I subscribe to - Netflix, Amazon Video, Hulu, Acorn TV – have the movie version available! I need to see it! 

10 August 2014

Streets of Laredo

LARRY MCMURTRY

Synopsis from Goodreads: In the long-awaited sequel to LONESOME DOVE, Larry McMurtry spins an exhilarating tale of legend and heroism. Captain Woodrow Call, Augustus McCrae's old partner, is now a bounty hunter hired to track down a brutal, young Mexican bandit. Riding with Call are an Eastern city slicker, a witless deputy, and one of the last members of the Hat Creek outfit, Pea Eye Parker, now married to Lorena -- once Gus McCrae's sweetheart. Their long chase leads them across the last wild stretches of the West into a hellhole known as Crow Town, and finally, into the vast, relentless plains of the Texas frontier.

Stats for my copy: Hardback, published by Simon & Schuster,1993; bought.

First line: “Most train robbers ain't smart, which is a lucky thing for the railroads,” Call said.

My thoughts: LONESOME DOVE is one of my all time favorite books. It took me awhile to get into it, but once I did I was mesmerized until the last page, and was still thinking about the book and missing the characters weeks later.

STREETS OF LAREDO also took me a bit to really get into, and while I enjoyed it, I wasn't completely mesmerized until about the last quarter of the book. Gus McCrae of course was a very big part of Lonesome Dove, and of Woodrow Call's life, and traveling along with Call without Gus took some adjusting to. Gus and Call complemented each other so well in the first book, and without Gus Call seems even more morose.

A large span of time has passed since the first book ended. Lorena is now married to Pea Eye and they have several kids, ranging from an infant to a fifteen year old. They've settled on their own ranch in Texas, and Lorena is also the local schoolteacher. It was good to find out that Lorena had found a future with a man she loves and a family she cherishes. Call, on the other hand, is just an old man who seems to have nothing much beyond his memories. He still has a legendary reputation, has been hired by the railroad to track down and kill Joey Garza, a young Mexican boy who's built up quite a reputation of his own as a train robber and cold blooded murderer. When Call telegraphs Pea Eye to join him on the hunt, Pea is unhappy about it, but his loyalty to the Captain won't let him refuse. Pea is very happy in his life with Lorena now, and he hates leaving the farm more with every summons from Call.

There are plenty of new characters - Brookshire is an accountant sent by the railroad to accompany Call and keep up with expenses. Having been born and raised in the East, traveling throughout Texas and Mexico with Call is a serious culture shock for him. It starts out as an adventure, with Call looking down on him somewhat, but Brookshire manages to hold his own, earning the Captain's respect and friendship. Deputy Plunkert is eager and excited when Call rides through his town and asks him to joint the hunt, leaving behind a young pregnant wife. Neither Brookshire or Plunkert have any idea of the heartache this trip will cost each of them. And then there's Maria, Joey Garza's mother, and her two young children. Maria has had the hardest life of any of them, and she's desperate to protect Joey from Call, even though Joey hates her and steals from her.

The narrative weaves back and forth between Call and his men hunting down Garza, Lorena setting out to find Pea and take him back home, and Maria, hoping every time she sees Joey that he'll have gone back to being her loving son. As in the first book, the narrative flows from one character's point of view to another, and even minor characters are vividly drawn. The violence is sometimes a little overwhelming, and overall it's rather depressing, as so many characters seem to be filled with regrets or doubts, and live such hard, miserable lives. If you go into this story with a romanticized view of the old west, that will quickly be knocked right out of your head.


While Streets is a sequel, it pretty much reads as a standalone. It's not quite as outstanding as Lonesome Dove was, but a close second. 

08 June 2014

Small Island


Synopsis from Goodreads: Hortense Joseph arrives in London from Jamaica in 1948 with her life in her suitcase, her heart broken, her resolve intact. Her husband, Gilbert Joseph, returns from the war expecting to be received as a hero, but finds his status as a black man in Britain to be second class. His white landlady, Queenie, raised as a farmer's daughter, befriends Gilbert, and later Hortense, with innocence and courage, until the unexpected arrival of her husband, Bernard, who returns from combat with issues of his own to resolve.

Told in these four voices, SMALL ISLAND is a courageous novel of tender emotion and sparkling wit, of crossings taken and passages lost, of shattering compassion and of reckless optimism in the face of insurmountable barriers---in short, an encapsulation of the immigrant's life.

Stats for my copy: Trade paperback, published by Picador, 2005; received through Book Mooch.

First line: I thought I'd been to Africa.

My thoughts: Written in first person POV, with the narration alternating between the four main characters, the author did a wonderful job of giving each character a distinctive voice and personality, drawing us into his or her story completely.

Gilbert joins the West Indian RAF, eager to defend the Mother Country, which he loves without reservation. He gets a brief trip to America, which he is eager to see. He's impressed with the vast abundance of food available to the military there, but puzzled by how he and his fellow Jamaican citizens are treated differently, better, than the black people in America. Once in his beloved Mother Country, he is astounded to realize that its residents know nothing about Jamaica.
“You British?” one of them finally asked.
“Yes”, I said.
“I hope I don't cause offence if I tell you that to my eye you don't look British. You must be rare as a sunbeam in a cave.”
“I am from Jamaica.”
“Jamaica, England?”
Had no one outside the Caribbean ever heard of Jamaica? (pg 129)

After the war is over, Gilbert and Hortense marry in Jamaica, and he travels back to England to look for work and find a place to live, sending for Hortense to join him six months later. She arrives expecting to be immersed in culture and class, and live in a nice house with a fancy doorbell. She is not expecting a single dirty room in an old house with a nosy white landlady who goes to market dressed in what appear to be her bedclothes. Hortense was a teacher in Jamaica, and expects to teach in England as well, but those hopes are quickly dashed. She and Gilbert didn't marry Gilbert for love, but for the chance to immigrate. The sections of story narrated by Gilbert and Hortense were my favorite. They are both fascinating and appealing characters, motivated by a desire for a better life in a country they've been brought up to love and respect, but which looks down on them because of the color of their skin.

Except for people like Queenie. When the war ended, her husband did not return, and she began renting out rooms in their home to support herself. Despite the disapproval and disdain of her neighbors, she gladly rents rooms to not only Gilbert and Hortense, but to another Jamaican immigrant as well. Queenie's and Bernard's sections of narration were still engrossing, but I didn't feel quite as embedded or invested in their lives as with Gilbert and Hortense.

The author's writing is very evocative, with just the right amount of humor and lightness thrown in among the serious topics.
“Madam,” I began, but she was gone, rattling through the crowd like a laxative. (pg 157)

Racism is the prevalent theme, treated with both dignity and matter of factness, a way of life that each character reacted to differently. Bernard is the least visible character, and the least likable, though in the end he shows unexpected compassion and strength. When the end of the book came, I was left wanting more, having questions that still needed answers. A secret was revealed, which provided a link between two characters that was not resolved to my satisfaction. But that's a part of life, right?


A beautifully written and thought provoking look at a country and it's people torn apart by and then putting themselves back together after a war. Read it. 

04 September 2012

Lonesome Dove

LARRY MCMURTRY

Hands down, no contest, no doubt about it, I'm pretty sure this book is going to be my favorite read for 2012.

It took me a long time to read this massive (800+ pages of tiny print) book. I set it down twice to read other books instead, once for a month, and then for two months. Not because I didn't like it, but because there were just other books I wanted and/or needed to read. But when I picked this back up and started in on my third session of reading, at some point I became utterly spellbound. Completely transfixed.

McMurtry makes you see what he is describing, in your head, plain as day. There are lots of characters, and the book seamlessly weaves their stories together or around each other. Sometimes in the middle of a page the point of view will suddenly change from one character to another, but it always flows naturally and is never jarring.

It's been a couple of weeks since I finished the book, and I miss it. I miss Gus and the Captain, and Lorena, and pretty much everybody else. I think about the characters and wonder what happened after the last chapter. I didn't want the book to end. I'm almost tempted to pick it up and start over at page one.

This is not a novel. This is literature.

(I received this book through BookCrossing.)